Inspiration

The inspiration for the costume I am currently creating was derived from a number of sources. I mentioned a few in my previous post. Let’s take a more detailed look, shall we?

The Mad Hatter

Being that the costume is for a Mad Tea Party , it is appropriate that the inspiration is taken from the Hatter’s costume in the main. And it is. I am trying to be most accurate to him. But since it will require certain adjustments to make it slightly more girlish, I am going a little further than just the one costume.

Lightly based off the book illustration as well, to be sure. The very high collar on the shirt is the beginning of that. But I will not venture to say more for the accuracy until the thing is actually complete.

Jack Sparrow

I assure you, from what I know of this fellow, though quite funny and perhaps charming, I think him perfectly odious in many respects. However, I will say that the costume design is perfectly splendid. The shirt I made was more based off of this than the Mad Hatter’s (his was blue, not white). The antique look of this costume, I think, is its greatest attraction to me. Shredded ends and adventure marks are what make a costume fun. I think Aragorn’s costume as a ranger in The Lord of the Rings is a fine example of this.

Gypsy

I love this crazy skirt she wears. Somewhat poofy, stripey, floppy and adventurous. It positively screams ”wear me!” I love it. So the skirt for the outfit will be this general look. I could not find the proper material, so I will make do with a dark purple/maroonish colour, rather like the MSU colour.   My version will not be quite so long. It will be drop-waisted, with an off-center point detailed with mismatched metal antique buttons. I daresay if I can supply myself with the means, I shall run different coloured strips throughout, but that is an uncertain plan.

Sir John Middleton

(I apologize for the smallness of the photograph)

Yes, as crazy it sounds, I even drew some inspiration from his style. I think it is a very appropriate look for someone of such a comical disposition. I loved the striped waistcoat and red jacket. I wanted to have it so on my own, but I could not obtain the materials. But the coat has provided a look at a more fun design, and I will find it helpful when I begin work on my own.

That is all, faithful readers (whichever ones be left).

Don’t lose your muchness!

Mad Hatter…. Or Was it a Pirate?

I am trying to create a wildly mad costume for a Mad Tea Party for my birthday in a few weeks. I am basing it off of the Mad Hatter (or more specifically, the Hatter’s hat), kind of Jack Sparrow, and the gypsy woman in Sherlock Holmes.  Actually, off a lot of costumes. But those in particular. The under-garments, which are all I’ve done at this point, are looking the most Captain Jack-like. By the time it’s finished it will likely look most like the Hatter (probably because I’ll wear a giant hat and striped socks with it), with the only the slightest hint of the Gypsy’s style (I will wear a striped skirt poofed out with a petticoat instead of striped capris like the hatter wore). Here is how it is looking thus far:

Oh. It just looks like a man’s night shirt now. Oh. We must spice it up:

There. That is much better.  A bit more girly this way. And adventurous. But wait. How about even better?

 Ooh. Now we’re starting to look like a pirate! But I am afraid I cannot take this unkemptness.

Ah. Much better. Quite prim and proper. Like a gentlewoman (though still adventurous, of course).

I love my dress form, by the way. We made it out of duct tape. I think that’s pretty epicly thrifty.

Well, that is all I’ve done yet. I shall go on as soon as I have the materials I need.

Jack Sparrow

(there should be a “Captain” somewhere in there…)

I drew him for a friend. She is graduating and likes Pirates of the Carribean, so I drew him for her.

This is him. I must say, I never noticed how disgusting his guise was until I drew it. Not the prettiest character in the world….

Alice in Wonderland Costumes

I was chattering to my mother the other night (while I massaged her feet) about costumes, and came to be discussing (one sided, for the most part) the costuming in Tim Burton’s Alice in Wonderland. I came to realize, I’m not quite sure how, that all of Alice’s costumes matched her surroundings beautifully! I don’t know if the designer did that on purpose, but it is still delightful. For example, the victorian party dress was fun, playful, elegant, and lovely to match the “engagement party”, or tea, if you will.

The next costume is the one in the scene where she shrinks, and she has a makeshift dress sort of tied on from the remains of her petticoat. In the scenes when she’s wearing this, Alice is confused, in a crazy place, and surrounded by weirdos. Surely I do not need to explain how the dress matches all this?

After this is the Mad Tea Party, when the Mad Hatter shrinks her tinier still and stuffs her into a tea pot to hide her from the Red Knights. He afterwards pulls a strip off the dress and quickly “zips something up” (my favourite part in the movie, to be sure) and drops it inside, saying, “try this on for size.” The dress fits splendidly, of course, and when Alice is lifted out of the tea pot she is wearing a very appropriate little dress for a mad tea party (the giant bow giving it the ultimate “cRaZy” look).

 (I love the little slippers!)

The next costume we see Alice in is the red dress made from curtains at the Red Queen’s castle after she grows large again and (most regretably) rips the blue tea dress in the process. The dress is made from the Red Queen’s curtains, so it’s easy to see how this matches her surroundings.

After this she rides the Bandersnatch (Cummerbund. Or was it Benedict Cumberbatch? ) to the White Queen’s castle, where she is shrunk down to her ”right proper Alice size” and given my very favourite costume she wears throughout the  entire film:

(it was most unfortunate, but I could not find a better picture of it)

The next is probably my least favourite. Alice wears armour and fights the Jabberwocky towards the end of the movie. It is not difficult to see how this matches her surroundings. She is fighting with an armoured dragon alongside fully armoured solders (with horse heads, of all things!) and on ruins.

( I do, however, like the Hatter’s battle costume. )

The last costume Alice wears in the film is her traveling clothes. She wore this underneath the coat (I think this is a nice costume, but it does not so obviously match her surroundings as the rest):

(I really love this look! I think I shall make something of the sort for myself soon)

I love almost all of the costumes from that movie. They are extremely unique and creative, and very Wonderlandish. They could hardly have done better, I daresay.

Anyway, I just thought that was very interesting. I hope you found it so also.

To Make a Film

Me and a friend of mine wanted to make a music video out a song we liked (just for fun, you know), the main difficulty being: it was simply a piano song. Not much to go by. But we wanted to do it. So we got to work on a concept. Well, one thing led to another and before I knew it I had written a story for it. It’s set several hundred years ago (which will only be revealed by her period costume, pretty much), to somewhat fit the mood of the song. Right n0w we are just waiting to get the chance to film it. We have what we need. A few posts ago I shared a photo of my little sister wearing the costume for the film. I made the dress at no cost at all. My mother had the buttons and zipper, and the fabric was salvaged from packing glass. I made the bonnet out of an old basket several years ago, and, for this occasion, have retrimmed it with a finer material. I made a cross necklace out of soft wire, but I need to fix it. I made the shoes last winter, using material from old clothing (only the equivalent of a house shoe as far as protection goes, but very pretty little things). The robe the heroine wears in one scene is an antique that belonged to my mother, then my sister, then me. It has a beautiful lace-trimmed collar, made out of a very fine dirty white material (I daresay it was clean white when it was made, but who cares) and embroidered with tiny little flowers. The robe is made from a soft pinky maroon velvet with a raised bodice (about just below the collar bone. I don’t know what it’s called). And the final touch, the shawl. This was the easiest of all. It’s a blue, cozy thing, and came in handmedowns (i am not sure if that is how you spell that). There. I had to do barely any work at all with the costumes.

Our plans for the film are that it should subtly tell the following story through expressions and without dialogue. The film is virtually a silent film, having no sound save the music we’re setting it to. It is intentional that there is no name, and the friend’s gender is unspecified.

The sunlight flicked through the trees as the carriage flew down the road. The light teased her sleepy eyes. She slowly opened them and looked out. The monotone way the passersby went about their business was offensive to her heavy spirit. After the way they had treated her- the way they had treated themselves, she had no choice. She didn’t want it to be this way. She looked at the letter in her lap. It was just like every other time she had gone to deliver a letter, yet so unlike.

* * * * * * * * *

She cried as she read the letter. The news was torturous. How could they have done such a thing? She would never be able to associate with them again. The tearing inside made her throw the letter away. She couldn’t look at it. She took her bonnet and went out to clear her head with a walk.

* * * * * * * * *

The carriage rumbled hideously. Her head hurt. Her mind hurt. Why did she have to be the one who did this?

* * * * * * * * *

The servants all went about their business, not realizing the remarkable unhappiness of their mistress as she twisted the paper about at the writing desk, pondering the words she would say. She sat down and dipped her pen. It made a nasty scratching noise on the rough paper. She wrote four lines and got up. She walked from room to room, remembering how they had played together in each one. She returned to the letter. “oh, my dear,” she concluded tearfully, “farewell.”

* * * * * * * * *

The post office looked its normal self. She must go in. Slowly, she put on her bonnet, picked herself up and got out of the carriage. A moment later the letter was out of her hands.
The sun was setting. It was done.

Rather hard to understand without a proper explaination, but that also is intentional.

I will post production pictures as soon as I have them (seeing as we haven’t started production yet, it is impossible at the moment), and a more detailed account of progress.

Peter Rabbit is My Homeboy

I have had another art engagement. I was asked to paint reproductions of some of Beatrix Potter’s charming illustrations. Here are a few of my favourites of the final products.

 

 

Zat ivs all. I vill share vno mwore. Muwahaha. I vill keep zem all to myself.

Sarah shot me! Oh, the pain!

Sarah is a very persistent photographer. If she wants to do a photo shoot, she will not rest until she can. After about five requests, I finally allowed her to do me, and she did a phenominal job. They are very pretty, and the setting was too perfect.

I am not in this photo, but this was the scene of the crime (where she took the pictures). Sinister, no?

The creepy yellowish lighting makes this crime almost film-worthy

 

 I do not know if she has covered her tracks on this one, but I like it tons to nothin’, so I had to publish it.

 

That’s all. We might reveal the gross details of the case on a later date, but it’s not likely. It was a very brutal crime, and involved supper.

Loki’s Costume (from The Avengers)

This is a superlative costume from every angle. The black with poison green and gold is the most brilliantly evil colour scheme. I especially love the sleeve caps on the outer piece. The pointed hem is a favourite as well. Of course, the most speaking part of the costume is the raised collar. I adore raised collars!

Here is my vague sketch of the costume. It will be redrawn and girlified eventually.

I hope enjoyed seeing this brief post about the dream outfit I will never have.

I Haven’t Done This in a While

It has been some time since I have shared any of my stories with you. Considering those regrettable chapters from my first story, I have been shy of posting with haste. But I hope I am not remiss in boasting that my writing abilities have somewhat improved since that time, and I will take the risk and share a few excerpts.

From The Jeweler’s Nephews

Logan was absorbed in his thoughts. The time was not a concern of his on this occasion, as it so often was. The ticking of the clock went on unnoticed. The hands crept through the numbers, slowly, halting, the silence if the room making the working mechanism nearly audible. They hit on seven and six- seven thirty. Logan was brought back to reality by the rapping of knuckles on his door.
Logan was quiet for a minute, staring at the door, temporarily forgetting the significance of the sound.
Mrs. Groves’ voice came from the other side, “Mr. Blue, sir?”
Logan cleared his throat and answered quietly, absentmindedness predominate in his accents, “er… Yes? What is it, Mrs. Groves?” he came to the door and opened to hear her reply.
Mrs. Groves started at his appearance. His hair was visibly moistened with perspiration, he looked as if he hadn’t slept in days. The top three buttons of his shirt were undone from the pulling common in a nervous man, and the necktie hung loose upon his chest. He wore no coat and his waistcoat was entirely unbuttoned. A throw blanket from his armchair hung off of his left shoulder. All in all, he was completely haggard. The room behind him was black.
Mrs. Groves took it all in with an instinctive quickness and precision. “I… came to ask if you wanted any supper. It is well past your usual hour.”
“no, no. No supper.” Mr. Logan Blue replied with ease and chipper that belied his appearance.
“perhaps some coffee, then? Or tea?”
“no. That won’t be necessary, Mrs. Groves. But if you will be so good as to send up some wine, the strongest you can find, and a tumbler, I should be most grateful.”
Mrs. Groves nodded uneasily, concern written on her brow, and descended the stairs.
Logan smiled after her, but when he glanced around he met the eyes of Mr. Albert Chebb, who watched through a cracked door. A glaring sparkle emerged from Logan’s eye and he disappeared into his apartment.

Not very telling, I daresay. Just as well. I should not like to ruin it for anyone who may someday read the full version.

Here is a bit from a story that hasn’t any name. I have been working on it for about three years, and I still haven’t even written it all up yet.

She put on a dark vail and a hooded cloak, and took the half-day-long journey to the village, Edinwhul, just outside the vast expanse of woodland, almost the only real forest in the whole of the dry and barren country of Jassadeur, to which she had fled after the capture of her husband. The village seemed large, for it was spread out and scattered on either side of the river Eseth, which flowed directly through the forest and came out upon the other side, where it met the sea.
She went to the person she thought looked most likely to be a ‘spiller-of-beans,’ so to speak, the butcher. He was a lumpy, slouching, young to middle-aged fellow, an unshaven dirty face, bedraggled blondish hair, and a deplorable lack of manners. He called himself Alhan. He looked a deplorable spectacle, but he would know if anyone did.
“oh, sure, I know of the man.” he said in a loud obnoxious voice, with a thick highland accent. “I don’t know that you’re not the only one around here who doesn’t. He’s fearful cruel. Tyrannical, absolutely tyrannical.”
“what sort of man is he?” Marcilla asked.
“well, he was knighted by the king years ago.” he began picking bits of hay that had blown in off the chops that hung from the rafters in the ceiling. Marcilla was utterly disgusted with him, but she needed this information. He went on: “but he was disowned not many less years past. I’m not sure why, though. Many said it was because he was involved in some plot or other to overthrow and usurp the king.”
Marcilla raised one eyebrow above the other. “and he failed?”
“well, no, not failed exactly. He was found out. He was betrayed by an ally before even he began to execute his plans. If he was really involved. But he was, in my opinion. They say he didn’t even try to defend himself. And now he has made himself ruler over this land. The entire forest is subject to his brutality. A brute, he is. The king fears him too much to try out against him. And he’s slowly making his way toward ruling this entire country. He does already, I suppose.”
“what is your own opinion of the man?”
“I’ve never seen him myself. I don’t know anyone who has.”
“if he never even shows himself, how is he managing to keep the whole country under him?”
“well, I’ll tell you. It’s the strangest thing. It’s so queer, frightening, in fact.” he leaned right up to her and said in a low voice, simply slathered with suspicion: “we don’t know.”
“what!–” Marcilla began now to doubt all he had said.
“it’s true, ma’am, absolutely true.” Alhan broke in. “none of us have ever seen him. He keeps hidden. He sends his men to do everything for him. It has been rumored by some that those who walk in the forest, near his dwelling and up towards the mountain region, that they’ve seen a dark thing. We can only assume it’s the man himself. A huge man, unusually broad, in a suit of armor,  black as coal, with his visor down. Then he would flash dark eyes at them, terrible eyes, glinting and glowing unnaturally, and once he caught their eye, if they didn’t bolt and run right then and there, they were never heard of again. No bones, no clothes, nothing. No one has ever challenged him and come back alive. The king tried, a year or two ago. He sent a very tiny army down, two hundred men. Most of them were brave knights. Only one came back. He was borne into our village on a litter pulled by a black horse. On his shield a black sort of thing had happened to it. Like it had been burnt.”
“that is strange indeed.” Marcilla said, half speaking to herself. “what became of the survivor?”
“he died about two hours after coming in. He kept trying to speak, during the half hour he was conscious, insisting he had seen a winged, fire breathing beast.”
“do you think he was being delusional? The idea of a winged, fire breathing beast, such as the ones they speak of in legends, seems a bit far fetched to you, does it not? Perhaps he had passed into delirium?”
“I wouldn’t know, ma’am. All I know is that there’s something dark going on inside that forest.”
“it’s intriguing…”
“I’d stay away from him, ma’am. He’s tyrannical, absolutely tyrannical.”
“yes, so you’ve said.” Marcilla turned and left the butcher’s shop She just may have found what she needed.

To be sure, this tells nothing of what the story is actually about. It is a very long tale and extremely complicated. It will be years before I finish it. The writing alone will take months, not to mention to endless planning and note taking.

From my rewrite of Beauty and the Beast (not finished, but I am working on it)

She had hardly time to finish that thought when there came a rap on the kitchen door. Olive stood perfectly still and listened to it for a moment, then after the third knock, went with an air of resolution to the door and opened it. She was greeted with the broad, vain smile of Sedith, who didn’t wait to be asked in.
“I was up early and happened to notice that you were too, and when I saw you walk by I thought I’d come over and see if you needed anything.” He said this as he wandered into the dining room, attracted by the smell of fresh bread and bacon.
“I’m fine.” Olive said shortly, snatching the plate out of his hands and placing it back on the table. “you may go now.”
“oh, that’s ok. I’m in no hurry.” Sedith put his feet up on the table and grinned at her. “I thought you might want this.” he produced the book he had bought, the very one Olive had wanted. But she pretended to be uninterested.
“no. I already have several books.”
“another won’t hurt you. Come, now, you know you want it- and I know you want it. Here, consider it as a friendly gift.”
“I’ll consider it as fully yours, and now you may take it back to your house. Now.”
“It can wait.”
“well, you’ve nothing else to do.”
“yes, I have.”
“such as?”
“I could keep you company while your father’s out.”
“no, I’ll be quite too occupied with my chores to keep company.”
“see? That’s what I mean. Your father is such a slave driver. Forget about the chores. Come take a walk with me. We could go to the bookshop.”
“no.”

That story is not easy to break apart. So far it’s all too connected.

Well, that is all. I hope I have entertained you with this short post.